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Meryl Streep performs with Blue Rodeo in Postcards from the Edge |
Blue Rodeo bumped up an extra notch on my list during a recent revisit to the 1990 Mike Nichols film Postcards from the Edge. It had been a while since I watched the
film and it hadn’t hit me that Blue Rodeo actually makes an appearance in the
film. With Meryl Streep no less.
Blue Rodeo performs with Meryl during the final number, “I’m
Checkin’ Out,” which closes the film. (See video below.) The song, which was written by Shel
Silverstein and nominated for Best Original Song at the Oscars, gives Streep’s
Suzanne Vale an encore performance in which she finally gets to step out of the
shadows of her movie star mother, played by Shirley MacLaine, and enjoy the
spotlight on her own. It’s a much fuller, more soulful performance than
Suzanne’s other number in the film, a rendition of “You Don’t Know Me,” which
is completely upstaged by her mom. Suzanne’s shaky performance of the Ray
Charles ditty might have some viewers thinking that Meryl can’t carry a tune.
She belts out “I’m Checking Out” at the end, though, as Suzanne finally comes
into her own.
The song is also one of the few moments in the film where
Streep allows Suzanne to have fun while performing, which is a recurrent
criticism of Suzanne from her onscreen peers. “I’m Checking Out” might help Postcards from the Edge end on a high
note—it’s one of Streep’s best performances and films—because Meryl’s voice is
actually much better suited to country than it is to poppier numbers. (See “My Minnesota Home” from A Prairie Home Companion for another
example.) Streep belts out show tunes just fine in Mamma Mia! (and hopefully the upcoming Into the Woods), but she makes country sound swell. She's that good an actress!
One of my fellow film writers/Oscar watchers once remarked that Suzanne’s character arc offers a fine parallel for the course of Meryl Streep’s career. As good as Streep was in the 1980s—they’re arguably the best years of her career with Sophie’s Choice, Silkwood, A Cry in the Dark, etc.—the 1990s brought out her range and versatility. Streep could do serious drama better than anyone else does, and recreate herself with a new accent, mannerisms; however, she became even better post-Postcards because one could see her having fun with acting. (See: The Devil Wears Prada.) It could be the timbre of her voice or that extra bit of soul she brings to a performance, but Meryl bluesy vocals give a turn worthy of the main stage as she/Suzanne reinvents herself with “I’m Checkin’ Out”. Some credit certainly belongs to the band accompanying her, though, as the energy in the performance comes alive through the music.
One of my fellow film writers/Oscar watchers once remarked that Suzanne’s character arc offers a fine parallel for the course of Meryl Streep’s career. As good as Streep was in the 1980s—they’re arguably the best years of her career with Sophie’s Choice, Silkwood, A Cry in the Dark, etc.—the 1990s brought out her range and versatility. Streep could do serious drama better than anyone else does, and recreate herself with a new accent, mannerisms; however, she became even better post-Postcards because one could see her having fun with acting. (See: The Devil Wears Prada.) It could be the timbre of her voice or that extra bit of soul she brings to a performance, but Meryl bluesy vocals give a turn worthy of the main stage as she/Suzanne reinvents herself with “I’m Checkin’ Out”. Some credit certainly belongs to the band accompanying her, though, as the energy in the performance comes alive through the music.
Perhaps the magnetism of Meryl Streep for me is a lot like
appeal of Blue Rodeo for others. Year after year, crowds flock to the festival
to listen to the band’s familiar tunes. It’s always extra fun to be at a
concert where everyone sings along. Like the crowd watching Suzanne’s
performance, the thousands of attendees at Bluesfest tap along to beat and bob
their heads to the feel-good vibes. Blue Rodeo gives the festival a night a
week in which it isn’t “Bluesfest” in name only, but that’s a conversation for
a different blog. It’s also the one night a year where anyone (even me) might
admit to enjoying country. I actually wasn’t the world’s biggest Blue Rodeo fan
the first time I saw them at Bluesfest, but I’ve come to enjoy Jim Cuddy and
his Canadian tuxedo a lot during the four shows I’ve seen the band play. Anyone
who accompanies Meryl is a winner in my books.
So Meryl Streep and Blue Rodeo will headline my thrifty
Bluesfest playlist this year. Who else should make the cut?